Wes Craven's resume deserves better than TV movies, but he needs to pay bills like everyone else. This is one of his worst pictures. It’s about cops that are always in conflict, whether they know each other or not, and whether they like each other or not. Even the newcomer, a psychic woman, gets her share of bullying. It’s a buddy cop film with a spoon-fed police procedural for dummies.
The actors do the best they can with a boring story whose potential is never exploited. The best thing about Night Vision is how stylish the psychic visions are. Aside from those, the execution is rather lazy. We never truly buy that Loryn Locklin's character has magical powers. Neither the script nor the directing are good enough to convince us that she can solve crimes the way she does.
There is a ton of filler in here. It’s too bad those characters are paper thin, because it makes the exposition somewhat useless. We don’t laugh when they do. We’re not scared when they are. We’re not sad, we’re not shocked, but we’re weirded out. Also, why is this film so poorly lit? The ambiance is inexistent. Very cliché, highly predictable, Night Visions is completely forgettable.