A bloody coming-of-age!
This is more a remake of 1976's Carrie than it is a re-imagining of Stephen King's novel by the same name. It's the 4th retelling of a classic horror story in which we impersonate a potential villain; not so much a heroine. Carrie is not only telekinetic, she can heat metal and behaves like a witch. There is some hinting at demonic possession, but the subject is never fully developed.
Early on, Carrie is bullied and not only bombarded by tampons, but filmed half-naked in the gym showers by her classmates. By implication, it drives Carrie in a yet unsurpassed state of rage, considering this film comes out in an age of internet and unlimited video duplication. Performances are the best thing about Carrie. Chloë Grace Moretz and Julianne Moore are giving everything they've got!
It's the best looking of the 4 films, but the editing is rough on the eyes and the ending doesn't feel fully deserved, perhaps by lack of suspense. It's also the most formulaic. It's the superficial Hollywood version, you could say. Don't look back and enjoy this one for what it is. Despite its unintuitive casting, the hand-picked stars do a superb job with a simple script and juvenile dialog.